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The Inclusive Yoga Framework - Pillar 1

3 days ago
3 min read

The Physical Environment — Access Begins Before the Mat

When we talk about accessibility in yoga, the first thing that often comes to mind is the physical space: stairs, doorways, washrooms, parking, or whether someone using a mobility device can move through the studio.


Those things matter.


But physical access is much bigger than architecture.


In the Inclusive Yoga Framework, the Physical Environment Pillar asks us to consider all the spaces and experiences a student encounters before they ever reach the mat.

And many of the changes that can make a studio more accessible don't require a renovation—or even a budget.


Look beyond the walls


Consider the sensory environment.


Lighting that feels calming to one student may make it difficult for someone with low vision to navigate the room or follow a demonstration. Music may create atmosphere, but it can also compete with verbal instruction for students who are deaf or hard of hearing, or contribute to sensory overload for some neurodivergent students. (here is a link to a previous blog video Better lighting makes a more accessible class.)


Strong scents from incense, essential oils, or cleaning products can also create barriers for people with respiratory conditions, fragrance allergies, or sensory sensitivities. (here is a link to a previous blog video Creating a scent free yoga experience.)


And then there is layout.


Is there a clear and predictable path from the entrance to the practice space? Is there more than one good place to set up? If a student uses a wheelchair, do they have a meaningful choice about where they practice—or simply the one spot that happens to work?


These are small details, but they communicate something significant: we thought about whether you could participate here.


Props aren't just modifications


Props are another important part of the physical environment—and one of the easiest opportunities to increase inclusion.


Blocks, blankets, bolsters, straps, chairs, and walls are often introduced as something a student uses when they "need a modification."


What happens when we change that?


Instead of "If you need a block..." try "Everyone, grab a block for this practice."


When props are integrated into instruction for everyone, they become ordinary tools rather than a signal that someone's body needs to be accommodated.


That benefits everyone.


Props aren't a workaround. They're tools that can help students access the experience of a pose.


Access begins before someone arrives


The physical environment also connects with something we sometimes overlook: how students find and understand information about your studio.


Accessibility begins before someone enters your studio.


  • Can they navigate your website?

  • Are your videos captioned?

  • Do your images have alt text?

  • Are your class descriptions written in plain language?

  • Do you explain whether music will be used?

  • Are students told what props are available?


These details allow people to make informed decisions about whether a class will work for them.


Digital accessibility standards such as the Web Content Accessibility Guidelines (WCAG) provide guidance for making websites and digital content more accessible. But even without becoming a digital accessibility expert, there are simple places to start.


Alt text. Captions. Plain language. Clear information.


Consider your student's experience


Try considering your studio from the perspective of someone who is thinking about attending for the first time.

  • What happens when they search for your studio?

  • What do they encounter when they arrive?

  • What do they hear, see, smell, and need to navigate?

  • Where are the props—and how are they presented?

  • What information do they have before class begins?


Accessibility isn't one change. It's a collection of choices that either create access or create barriers.


The Physical Environment Pillar reminds us that inclusion begins before the first cue, the first pose, and sometimes even before a student enters the studio.


What is one thing you could change this week?

 

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